Queer Exhibition Histories
Queer Exhibition HistoriesĀ comprises case studies highlighting the countless efforts, both large and small, of LGBTQIA+ artists and curators, centring on queer art exhibitions and their modes of documentation and archiving. Often, the legacy of these projects largely depends on personal archives, memories, and paraphernalia, with the overriding notion, or need, for public display. In these contexts, āpublicā is relative in events that were either short-lived, held under the veil of domestic spaces, or kept exclusive for those āin the knowā. Therefore, they were not exclusively artistic, but could equally be discursive, activist, educational, or serve as a tool for community building. At the intersection of queerness and contemporary art, this volume considers how the efforts of LGBTQIA+ artists have advanced their public presence in museums and society alike.
288 pages, 17 x 23 cm, paperback, Valiz (Amsterdam).
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Queer Exhibition Histories
Queer Exhibition HistoriesĀ comprises case studies highlighting the countless efforts, both large and small, of LGBTQIA+ artists and curators, centring on queer art exhibitions and their modes of documentation and archiving. Often, the legacy of these projects largely depends on personal archives, memories, and paraphernalia, with the overriding notion, or need, for public display. In these contexts, āpublicā is relative in events that were either short-lived, held under the veil of domestic spaces, or kept exclusive for those āin the knowā. Therefore, they were not exclusively artistic, but could equally be discursive, activist, educational, or serve as a tool for community building. At the intersection of queerness and contemporary art, this volume considers how the efforts of LGBTQIA+ artists have advanced their public presence in museums and society alike.
288 pages, 17 x 23 cm, paperback, Valiz (Amsterdam).
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Queer Exhibition HistoriesĀ comprises case studies highlighting the countless efforts, both large and small, of LGBTQIA+ artists and curators, centring on queer art exhibitions and their modes of documentation and archiving. Often, the legacy of these projects largely depends on personal archives, memories, and paraphernalia, with the overriding notion, or need, for public display. In these contexts, āpublicā is relative in events that were either short-lived, held under the veil of domestic spaces, or kept exclusive for those āin the knowā. Therefore, they were not exclusively artistic, but could equally be discursive, activist, educational, or serve as a tool for community building. At the intersection of queerness and contemporary art, this volume considers how the efforts of LGBTQIA+ artists have advanced their public presence in museums and society alike.
288 pages, 17 x 23 cm, paperback, Valiz (Amsterdam).
