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Mihai Barabancea â Falling on Blades
To 'accidentally fall on a blade thirteen times' is a sardonicâand rather poeticâway of saying to get stabbed.
'It doesnât always kill you, but it always hurts. And still youâve got to âroll with the punchesâ and keep going. I find this ability to roll with the punches, to âtake the painâ and adapt to circumstances, in my subjects: gypsies, beggars, crooks, vagabonds, underdogs, conmen, buskers and various shady characters in Romania and Moldova. My object is not to exploit problem-ridden post-communist Romania for voyeuristic purposes. Iâm not an indifferent observer, but one who tries hard to give these people the freedom they need to portray themselves on cameraâand to bring about necessary changes themselves in the social stereotypes still assigned to them.' â Mihai Barabancea
Barabancea uses the camera as a tool to interact with his subjects. But instead of staging picturesque portraits, he zeroes in on moments of ruthless rawness and keen poignancy.
260 pages, 18 x 24 cm, softcover, Edition Patrick Frey (Zurich).
'It doesnât always kill you, but it always hurts. And still youâve got to âroll with the punchesâ and keep going. I find this ability to roll with the punches, to âtake the painâ and adapt to circumstances, in my subjects: gypsies, beggars, crooks, vagabonds, underdogs, conmen, buskers and various shady characters in Romania and Moldova. My object is not to exploit problem-ridden post-communist Romania for voyeuristic purposes. Iâm not an indifferent observer, but one who tries hard to give these people the freedom they need to portray themselves on cameraâand to bring about necessary changes themselves in the social stereotypes still assigned to them.' â Mihai Barabancea
Barabancea uses the camera as a tool to interact with his subjects. But instead of staging picturesque portraits, he zeroes in on moments of ruthless rawness and keen poignancy.
260 pages, 18 x 24 cm, softcover, Edition Patrick Frey (Zurich).
$53.52
Mihai Barabancea â Falling on Bladesâ
$53.52
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Mihai Barabancea â Falling on Blades
To 'accidentally fall on a blade thirteen times' is a sardonicâand rather poeticâway of saying to get stabbed.
'It doesnât always kill you, but it always hurts. And still youâve got to âroll with the punchesâ and keep going. I find this ability to roll with the punches, to âtake the painâ and adapt to circumstances, in my subjects: gypsies, beggars, crooks, vagabonds, underdogs, conmen, buskers and various shady characters in Romania and Moldova. My object is not to exploit problem-ridden post-communist Romania for voyeuristic purposes. Iâm not an indifferent observer, but one who tries hard to give these people the freedom they need to portray themselves on cameraâand to bring about necessary changes themselves in the social stereotypes still assigned to them.' â Mihai Barabancea
Barabancea uses the camera as a tool to interact with his subjects. But instead of staging picturesque portraits, he zeroes in on moments of ruthless rawness and keen poignancy.
260 pages, 18 x 24 cm, softcover, Edition Patrick Frey (Zurich).
'It doesnât always kill you, but it always hurts. And still youâve got to âroll with the punchesâ and keep going. I find this ability to roll with the punches, to âtake the painâ and adapt to circumstances, in my subjects: gypsies, beggars, crooks, vagabonds, underdogs, conmen, buskers and various shady characters in Romania and Moldova. My object is not to exploit problem-ridden post-communist Romania for voyeuristic purposes. Iâm not an indifferent observer, but one who tries hard to give these people the freedom they need to portray themselves on cameraâand to bring about necessary changes themselves in the social stereotypes still assigned to them.' â Mihai Barabancea
Barabancea uses the camera as a tool to interact with his subjects. But instead of staging picturesque portraits, he zeroes in on moments of ruthless rawness and keen poignancy.
260 pages, 18 x 24 cm, softcover, Edition Patrick Frey (Zurich).
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To 'accidentally fall on a blade thirteen times' is a sardonicâand rather poeticâway of saying to get stabbed.
'It doesnât always kill you, but it always hurts. And still youâve got to âroll with the punchesâ and keep going. I find this ability to roll with the punches, to âtake the painâ and adapt to circumstances, in my subjects: gypsies, beggars, crooks, vagabonds, underdogs, conmen, buskers and various shady characters in Romania and Moldova. My object is not to exploit problem-ridden post-communist Romania for voyeuristic purposes. Iâm not an indifferent observer, but one who tries hard to give these people the freedom they need to portray themselves on cameraâand to bring about necessary changes themselves in the social stereotypes still assigned to them.' â Mihai Barabancea
Barabancea uses the camera as a tool to interact with his subjects. But instead of staging picturesque portraits, he zeroes in on moments of ruthless rawness and keen poignancy.
260 pages, 18 x 24 cm, softcover, Edition Patrick Frey (Zurich).
'It doesnât always kill you, but it always hurts. And still youâve got to âroll with the punchesâ and keep going. I find this ability to roll with the punches, to âtake the painâ and adapt to circumstances, in my subjects: gypsies, beggars, crooks, vagabonds, underdogs, conmen, buskers and various shady characters in Romania and Moldova. My object is not to exploit problem-ridden post-communist Romania for voyeuristic purposes. Iâm not an indifferent observer, but one who tries hard to give these people the freedom they need to portray themselves on cameraâand to bring about necessary changes themselves in the social stereotypes still assigned to them.' â Mihai Barabancea
Barabancea uses the camera as a tool to interact with his subjects. But instead of staging picturesque portraits, he zeroes in on moments of ruthless rawness and keen poignancy.
260 pages, 18 x 24 cm, softcover, Edition Patrick Frey (Zurich).
























