
Malick SidibĂ© â Painted Frames
Loose Joints is honoured to announce Painted Frames, a little-known collection of works by the late Malick Sidibé. Known as the 'Eye of Bamako,' Sidibé documented the lives, style, and energy of post-independence Mali with unparalleled intimacy. His iconic black-and-white photographs, from the exuberant youth of Bamako's dancehalls to the self-assured subjects in his studio, captured a nation defining itself in a moment of profound social and cultural change.
Painted Frames reimagines this legacy, blending SidibĂ©'s hallmark portraits with vivid, hand-painted coloured frames created in collaboration with the artist and local Malian artisans toward the end of SidibĂ©'s life. These frames were not mere embellishments but functional objects â keepsakes and symbols of status, gifted, circulated, cherished and shared. They reflect the joy, pride, and self-expression of SidibĂ©'s subjects, reminding us that his photography was always a social practice first and foremost, designed to celebrate the interconnectedness of African people, culture, and identity.
This late series highlights SidibĂ©'s enduring commitment to celebrating Mali's cultural modernity, emphasising his works as dynamic pieces of social transmission rather than fetishised art objects. By layering painted borders with photographic portraits, SidibĂ© brought a new richness to his work, amplifying its role as a celebration of social exchange, while also serving as a curatorial gesture in which he gathered together the most important works from his diverse and expansive Ćuvre into a jubilant burst of colour and affirmation.
160 pages, 24.5 x 32 cm, softcover, Loose Joints (Marseille).
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Malick SidibĂ© â Painted Frames
Loose Joints is honoured to announce Painted Frames, a little-known collection of works by the late Malick Sidibé. Known as the 'Eye of Bamako,' Sidibé documented the lives, style, and energy of post-independence Mali with unparalleled intimacy. His iconic black-and-white photographs, from the exuberant youth of Bamako's dancehalls to the self-assured subjects in his studio, captured a nation defining itself in a moment of profound social and cultural change.
Painted Frames reimagines this legacy, blending SidibĂ©'s hallmark portraits with vivid, hand-painted coloured frames created in collaboration with the artist and local Malian artisans toward the end of SidibĂ©'s life. These frames were not mere embellishments but functional objects â keepsakes and symbols of status, gifted, circulated, cherished and shared. They reflect the joy, pride, and self-expression of SidibĂ©'s subjects, reminding us that his photography was always a social practice first and foremost, designed to celebrate the interconnectedness of African people, culture, and identity.
This late series highlights SidibĂ©'s enduring commitment to celebrating Mali's cultural modernity, emphasising his works as dynamic pieces of social transmission rather than fetishised art objects. By layering painted borders with photographic portraits, SidibĂ© brought a new richness to his work, amplifying its role as a celebration of social exchange, while also serving as a curatorial gesture in which he gathered together the most important works from his diverse and expansive Ćuvre into a jubilant burst of colour and affirmation.
160 pages, 24.5 x 32 cm, softcover, Loose Joints (Marseille).
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Loose Joints is honoured to announce Painted Frames, a little-known collection of works by the late Malick Sidibé. Known as the 'Eye of Bamako,' Sidibé documented the lives, style, and energy of post-independence Mali with unparalleled intimacy. His iconic black-and-white photographs, from the exuberant youth of Bamako's dancehalls to the self-assured subjects in his studio, captured a nation defining itself in a moment of profound social and cultural change.
Painted Frames reimagines this legacy, blending SidibĂ©'s hallmark portraits with vivid, hand-painted coloured frames created in collaboration with the artist and local Malian artisans toward the end of SidibĂ©'s life. These frames were not mere embellishments but functional objects â keepsakes and symbols of status, gifted, circulated, cherished and shared. They reflect the joy, pride, and self-expression of SidibĂ©'s subjects, reminding us that his photography was always a social practice first and foremost, designed to celebrate the interconnectedness of African people, culture, and identity.
This late series highlights SidibĂ©'s enduring commitment to celebrating Mali's cultural modernity, emphasising his works as dynamic pieces of social transmission rather than fetishised art objects. By layering painted borders with photographic portraits, SidibĂ© brought a new richness to his work, amplifying its role as a celebration of social exchange, while also serving as a curatorial gesture in which he gathered together the most important works from his diverse and expansive Ćuvre into a jubilant burst of colour and affirmation.
160 pages, 24.5 x 32 cm, softcover, Loose Joints (Marseille).
























