In-between Dance Cultures - The Migratory Artistic Identity Of Sidi Larbi Cherkaoui And Akram Khan
In-between Dance Cultures - The Migratory Artistic Identity Of Sidi Larbi Cherkaoui And Akram Khan
**New edition with black and white cover design
Belgian-Moroccan Sidi Larbi Cherkaoui and British-Bengali Akram Khan are two of today's most prolific choreographers. Given their respective backgrounds and the practices they pursue, their artistic universes are largely built around their identity in-between dance cultures. Guy Cools, who accompanied both, situates their work within the larger critical debate on the (post)modern and (post-)migrant identity. Cools details some of their iconic choreographic pieces. This book offers a complementary view on questions of cultural identity taking the contemporary dancer’s somatic awareness and knowledge of the body as its starting point. Published by Valiz (Amsterdam).
160 pages, 14 x 21 cm, paperback, Valiz (Amsterdam).
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In-between Dance Cultures - The Migratory Artistic Identity Of Sidi Larbi Cherkaoui And Akram Khan
**New edition with black and white cover design
Belgian-Moroccan Sidi Larbi Cherkaoui and British-Bengali Akram Khan are two of today's most prolific choreographers. Given their respective backgrounds and the practices they pursue, their artistic universes are largely built around their identity in-between dance cultures. Guy Cools, who accompanied both, situates their work within the larger critical debate on the (post)modern and (post-)migrant identity. Cools details some of their iconic choreographic pieces. This book offers a complementary view on questions of cultural identity taking the contemporary dancer’s somatic awareness and knowledge of the body as its starting point. Published by Valiz (Amsterdam).
160 pages, 14 x 21 cm, paperback, Valiz (Amsterdam).
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**New edition with black and white cover design
Belgian-Moroccan Sidi Larbi Cherkaoui and British-Bengali Akram Khan are two of today's most prolific choreographers. Given their respective backgrounds and the practices they pursue, their artistic universes are largely built around their identity in-between dance cultures. Guy Cools, who accompanied both, situates their work within the larger critical debate on the (post)modern and (post-)migrant identity. Cools details some of their iconic choreographic pieces. This book offers a complementary view on questions of cultural identity taking the contemporary dancer’s somatic awareness and knowledge of the body as its starting point. Published by Valiz (Amsterdam).
160 pages, 14 x 21 cm, paperback, Valiz (Amsterdam).
