Daniel Bosser – Philippe Thomas Declines His Identity
This is the first authorised English translation of Daniel Bosser's Philippe Thomas décline son identité, a book about modernism and modalities of display, first published by Galerie Claire Burrus, Paris, in 1987. The book was part of a performative talk given only twice by the French conceptual artist Philippe Thomas (1951–95). What audience members realised upon leaving the auditorium, and discovering the book, was that the talk they had just witnessed was minutely scripted – down to Thomas’ smallest gestures and pauses – in the book itself.
Consistent with Thomas’ practice to distinguish his name from authorship, this book is attributed to Daniel Bosser, the collector who acquired the piece.
Translated by Antony Hudek, with a specially commissioned essay by Émeline Jaret.
32 pages, 16 x 23 cm, paperback, Occasional Papers (London).
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Daniel Bosser – Philippe Thomas Declines His Identity
This is the first authorised English translation of Daniel Bosser's Philippe Thomas décline son identité, a book about modernism and modalities of display, first published by Galerie Claire Burrus, Paris, in 1987. The book was part of a performative talk given only twice by the French conceptual artist Philippe Thomas (1951–95). What audience members realised upon leaving the auditorium, and discovering the book, was that the talk they had just witnessed was minutely scripted – down to Thomas’ smallest gestures and pauses – in the book itself.
Consistent with Thomas’ practice to distinguish his name from authorship, this book is attributed to Daniel Bosser, the collector who acquired the piece.
Translated by Antony Hudek, with a specially commissioned essay by Émeline Jaret.
32 pages, 16 x 23 cm, paperback, Occasional Papers (London).
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This is the first authorised English translation of Daniel Bosser's Philippe Thomas décline son identité, a book about modernism and modalities of display, first published by Galerie Claire Burrus, Paris, in 1987. The book was part of a performative talk given only twice by the French conceptual artist Philippe Thomas (1951–95). What audience members realised upon leaving the auditorium, and discovering the book, was that the talk they had just witnessed was minutely scripted – down to Thomas’ smallest gestures and pauses – in the book itself.
Consistent with Thomas’ practice to distinguish his name from authorship, this book is attributed to Daniel Bosser, the collector who acquired the piece.
Translated by Antony Hudek, with a specially commissioned essay by Émeline Jaret.
32 pages, 16 x 23 cm, paperback, Occasional Papers (London).
