Alessandro Di Pietro: Ghostwriting Paul Thek
Alessandro Di Pietro: Ghostwriting Paul Thek, edited by Cornelia Mattiacci and Peter Benson Miller, is conceived as a compendium of texts and notes generated for the artist Alessandro Di Pietro as he developed the exhibition projectĀ Ghostwriting Paul Thek: Time Capsules and Reliquaries. The traveling exhibitionāwhich appeared at the Watermill Center, New York; CAN Centre dāArt NeuchĆ¢tel, Switzerland; Palazzo Monti, Brescia, Italy; and Fondazione Nicola Del Roscio, Romeāpresented pieces conceived in dialogue with the work of the legendary US artist Paul Thek (1933ā1988).
The texts, notes, and other original sources featured in the volumeāranging from essays to WhatsApp messages, diary entries, and newspaper pagesāare presented in the languages in which they were contributed by the twenty-five authors involved (English or Italian). They re-create the intellectual context for the development of Thekās/Di Pietroās intertwined ideas, blurring fact and fiction and maintaining a certain ambiguity of authorship. The publicationās sole reprint comes from Chris KrausāsĀ Aliens & AnorexiaĀ (2000).
The exhibition/publication project was the winner of the eleventh edition of the Italian Council (2022) call for proposals issued by the General Directorate for Creativity of the Italian Ministry of Culture.
Edited by Cornelia Mattiacci and Peter Benson Miller
Texts by Carlo Antonelli, Paisid Aramphongphan, Giulia Bini, Anna Castelli, Dustin Cauchi, Fabio Cherstich, Luigi Alberto Cippini, Guido Costa, Paul Cotton, Anna Cuomo, Allen Frame, NiccolĆ² Gravina, Noah Khoshbin, Chris Kraus, Owen Laub, Cornelia Mattiacci, Peter Benson Miller, Massimo Minini, Susanne Neubauer, Leonie Radine, Federico Sargentone, Oliver Shultz, Stella Succi, Pier Mauro Tamburini, and Jeppe Ugelvig.
232 pages, 13 x 19 cm, softcover, Mousse (Milan).
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Alessandro Di Pietro: Ghostwriting Paul Thek
Alessandro Di Pietro: Ghostwriting Paul Thek, edited by Cornelia Mattiacci and Peter Benson Miller, is conceived as a compendium of texts and notes generated for the artist Alessandro Di Pietro as he developed the exhibition projectĀ Ghostwriting Paul Thek: Time Capsules and Reliquaries. The traveling exhibitionāwhich appeared at the Watermill Center, New York; CAN Centre dāArt NeuchĆ¢tel, Switzerland; Palazzo Monti, Brescia, Italy; and Fondazione Nicola Del Roscio, Romeāpresented pieces conceived in dialogue with the work of the legendary US artist Paul Thek (1933ā1988).
The texts, notes, and other original sources featured in the volumeāranging from essays to WhatsApp messages, diary entries, and newspaper pagesāare presented in the languages in which they were contributed by the twenty-five authors involved (English or Italian). They re-create the intellectual context for the development of Thekās/Di Pietroās intertwined ideas, blurring fact and fiction and maintaining a certain ambiguity of authorship. The publicationās sole reprint comes from Chris KrausāsĀ Aliens & AnorexiaĀ (2000).
The exhibition/publication project was the winner of the eleventh edition of the Italian Council (2022) call for proposals issued by the General Directorate for Creativity of the Italian Ministry of Culture.
Edited by Cornelia Mattiacci and Peter Benson Miller
Texts by Carlo Antonelli, Paisid Aramphongphan, Giulia Bini, Anna Castelli, Dustin Cauchi, Fabio Cherstich, Luigi Alberto Cippini, Guido Costa, Paul Cotton, Anna Cuomo, Allen Frame, NiccolĆ² Gravina, Noah Khoshbin, Chris Kraus, Owen Laub, Cornelia Mattiacci, Peter Benson Miller, Massimo Minini, Susanne Neubauer, Leonie Radine, Federico Sargentone, Oliver Shultz, Stella Succi, Pier Mauro Tamburini, and Jeppe Ugelvig.
232 pages, 13 x 19 cm, softcover, Mousse (Milan).
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Alessandro Di Pietro: Ghostwriting Paul Thek, edited by Cornelia Mattiacci and Peter Benson Miller, is conceived as a compendium of texts and notes generated for the artist Alessandro Di Pietro as he developed the exhibition projectĀ Ghostwriting Paul Thek: Time Capsules and Reliquaries. The traveling exhibitionāwhich appeared at the Watermill Center, New York; CAN Centre dāArt NeuchĆ¢tel, Switzerland; Palazzo Monti, Brescia, Italy; and Fondazione Nicola Del Roscio, Romeāpresented pieces conceived in dialogue with the work of the legendary US artist Paul Thek (1933ā1988).
The texts, notes, and other original sources featured in the volumeāranging from essays to WhatsApp messages, diary entries, and newspaper pagesāare presented in the languages in which they were contributed by the twenty-five authors involved (English or Italian). They re-create the intellectual context for the development of Thekās/Di Pietroās intertwined ideas, blurring fact and fiction and maintaining a certain ambiguity of authorship. The publicationās sole reprint comes from Chris KrausāsĀ Aliens & AnorexiaĀ (2000).
The exhibition/publication project was the winner of the eleventh edition of the Italian Council (2022) call for proposals issued by the General Directorate for Creativity of the Italian Ministry of Culture.
Edited by Cornelia Mattiacci and Peter Benson Miller
Texts by Carlo Antonelli, Paisid Aramphongphan, Giulia Bini, Anna Castelli, Dustin Cauchi, Fabio Cherstich, Luigi Alberto Cippini, Guido Costa, Paul Cotton, Anna Cuomo, Allen Frame, NiccolĆ² Gravina, Noah Khoshbin, Chris Kraus, Owen Laub, Cornelia Mattiacci, Peter Benson Miller, Massimo Minini, Susanne Neubauer, Leonie Radine, Federico Sargentone, Oliver Shultz, Stella Succi, Pier Mauro Tamburini, and Jeppe Ugelvig.
232 pages, 13 x 19 cm, softcover, Mousse (Milan).
